Monday, July 29, 2013

Thoughts on Burzum

           

         In 1993 (the year I was born, ironically), a string of crimes ravaged Norway's capital city of Oslo, and sister city Bergen. Church burnings, murder, and rumors of satanic sacrifice and worship spread through the country like wildfire. Indeed, it was a small group of 'satanists' who were at the forefront of a new, extreme wave of metal - the Second Wave of Black Metal. Influenced by 80s giants such as Bathory, Celtic Frost, Sarcofago, and Iron Maiden, a handful of Norwegian youths had taken it upon themselves to further the raw, terrifying sound of these progenitors. 
            Among them was one Kristian "Varg" Vikernes - a man who came to be known as black metal's most notorious musician. Founder and sole instrumentalist of the one-man BM act Burzum, Varg infamously directed several church burnings, and whipped the subsequent media storm into a frenzy in an anonymous interview with a Bergen newspaper. Vikernes was infamously anti-Christian, viewing it as a 'Jewish import' and vowing to return Scandinavia to pagan worship by - you guessed it - church burnings.
        As the satanic panic grew in intensity, Vikernes found himself embroiled in the power struggles of the Norwegian BM scene (which was referred to by members as the "Inner Circle"), and drew the ire of his former compatriot, Øystein "Euronymous" Aarseth, who was loathe to see someone else viewed as 'head' of the scene. The animosity between the two culminated in Aarseth's death at Vikernes' hands, and despite Vikernes' plea of self-defense, he was found guilty of both the murder and several church burnings. Vikernes found himself sentenced to 21 years in jail - the maximum sentence under Norwegian law.
          During his imprisonment, Vikernes continued his tirade on anti-Christianity, viewing it as a "Hebrew import" as a result of a "Jewish conspiracy". Vikernes also renounced his attention-hungry stance from the early 90s, rejecting black metal acts that came after as 'sheep', and claiming the genre was never supposed to become a trend. After his release in 2009, Varg became a sort of joke among metalheads, and his profoundly racist blog burzum.org continues to showcase his far-right rants and raves.
           A few weeks ago, Vikernes and his wife Sophie Cachet were arrested on their farm in France, after French police discovered he had received a copy of Anders Breivik's (the perpetrator of the Utoya Massacre in 2011) manifesto. Despite Vikernes' pointed shaming of Breivik and insistence that the latter "kill himself", the fact that he had received the manifesto set off alarms in France. Soon after, Burzum.org pinned Vikernes down as a racist (duh), and when his wife (legally) purchased several firearms, the police stepped in to detain him on terrorism plot charges. Despite being released 36 hours later, the subsequent media storm reached national news in France as Le Monde claimed a 'Neo-Nazi' had been arrested.
           With this recent development, metal forums around the internet began weighing in on the arrest - sure, it definitely seemed like a bit of a stretch to arrest the man, but who could really be sure? Opinions on Varg tend to fall into one of two positions - either he should be exonerated for Aarseth's murder and strongly anti-Semitic and racist rhetoric because he's an artist, and artistic license and whatnot; or he's a nutjob that should be left alone to spout his opinions to white supremacists, and/or actively silenced. What makes the issue complicated is that Burzum, along with bands like Darkthrone and Satyricon, singlehandedly defined the Norwegian black metal sound that would permeate extreme metal for the past two decades.
           So what do you do when one of the pillars of a genre is an extremist who's created his own religion ("Odalism")? What do you do when 1996' Filosofem is widely regarded as one of the best black metal albums ever made? Obviously Vikernes has left his mark on metal - despite bands like Venom and Judas Priest incorporating a 'satanic' vibe into their music, Vikernes took the anti-Christian message away from pure music and put it into action. Obviously, that wasn't a wise choice. No matter how ass-backwards and 'trve' you are, murder and arson are wrong.
           The problem lies in just that: it is anyone's prerogative to have their opinion. It's not anyone's place to claim their opinion is more valid than anyone else's - Vikernes is perfectly at liberty to claim Scandinavia should return to Odin worship. He is perfectly at liberty to rant and rave against the "Jewish New World Order" that is "dominating the western world". But what he cannot do is go out and put that agenda into action by hurting people and burning churches. Should Vikernes' crimes be forgotten? No, not at all. The fact that this is a person who understood exactly what he was doing - and continues to justify it - prevents his vindication.
           However, with regards to the music, I believe a line needs to be drawn. While Burzum's themes of Scandinavian mythology and fantasy worlds are never incredibly overt with prejudiced rhetoric, the fact is that he does have the artistic license to say whatever he pleases through Burzum. And while many people may not enjoy what he has to say (myself included), the fact that it's not very obvious lessens the blow for me. If someone were to listen to Burzum, their first thought would be that Vikernes was a Tolkien-obsessed metalhead who had listened to too much Bathory and desperately wanted to be a viking.
          Additionally, it is impossible to separate music from its composer - when Sleep wrote Dopesmoker, it was blisteringly clear exactly what the band's vice was (hint: it may be marijuana). The same goes for Burzum - Vikernes unintentionally or intentionally puts a little bit of himself into each and every album. And while it may not be obvious, it is most definitely present. This is a fact that needs to be remembered.
            Bottom line, my views on Burzum can be summarized as "remember who wrote this music". It's perfectly okay to like the music. No one can stop you from enjoying Burzum - hell, 'Key to the Gate' features one of the coolest solos I've heard in black metal  - but it's important to remember who Varg is, remember what he did, and remember that in supporting Burzum - in any way - you are supporting him.
           What you do with that knowledge is your choice.

Saturday, June 8, 2013

letlive. premier new track - 'Banshee (Ghost Fame)'

         After announcing last week that their third album The Blackest Beautiful was slated for a July release, letlive. have graced us with their first new single - 'Banshee (Ghost Fame)'. To say this track showcases an utterly unexpected turn of events is an understatement. Compared to Fake History's introductory tack 'The Sick, Sick 6.8 Billion', an energetic, unclean ballad featuring the band's signature agnostic lyrics, 'Banshee' takes a notably more nu-metal influence.
         Whether it's frontman Jason Butler's rap-screaming - an at-first arresting new development, or the harsher cleans, which sound nothing like the clean breaks on the band's previous work. This is a dirty, punishing song that instantly conjures up memories of Static-X and early Linkin Park - at times Butler's vocals sound startlingly similar to Chester Bennington's - but retains letlive's signature staccato attack.
           Lyrically, this is typical punk 'screw the establishment' fare, featuring a winceworthy 'where's your faith at?' one-liner. This song definitely requires a few listens, but it is promising. The band will be playing Warped this summer, and you can stream the video below!

 

Saturday, June 1, 2013

August Burns Red release new song - 'Spirit Breaker'

      

          With the release of ABR's fifth album Rescue and Restore only four weeks away, the band has seen fit to bless us with some new material from the album. May's debut of 'Fault Line' polarized fans, and I found myself doubting the band's new direction for the first few listens. Eventually, however, I found myself missing the rhythm and the chorus, and while it's still radically different from ABR's previous work, that doesn't mean it's not going to be fun.
       So, how about the new song? Entitled 'Spirit Breaker', the song tackles a common ABR theme - hope in the pits of despair. Think 'Composure' with more melody. 'Spirit Breaker' does a stellar job of conveying a sense of listlessness and anguish with a combination of mournful orchestral elements and the signature plaintive call of J.B Brubaker's guitar.
        The song opens quietly, with a cello, violin and clean guitar riff, before exploding into an emotional, melodic metalcore ballad punctuated by rapid drumwork and a vast soundscape. There's even a spoken word break in the middle, and clean passages abound. Through a mix of sadness and triumph, 'Spirit Breaker' 's mystifyingly beautiful instrumentals hold the listener enthralled through all four minutes. Stream it below:


Tuesday, May 28, 2013

The Black Dahlia Murder release new song - "Goat of Departure"

        

        The Black Dahlia Murder have released their third song off of their upcoming album Everblack. Entitled 'Goat of Departure', the song is a salute to the fame the goat enjoys in metal music, and particularly the 'sign of the horns' people have been throwing up at metal shows since the time of Dio. The song is as brutal as it comes, echoing last month's release of 'Into the Everblack', but still falling short of 'Raped in Hatred by Vines of Thorn', itself a reference to Evil Dead's infamous tree-rape scene.
         You can stream 'Goat of Departure' on Loudwire here. Everblack comes out June 11th on Metal Blade records, and the band is playing Warped Tour this year.

Trivium let slip new album title

       Florida's thrash-tinted metalcore quintet Trivium may have accidentally let slip their new album title today. In an interview with producer David Draiman (known for his work fronting nu-metal band Disturbed), Draiman indicated the title track of the album would be called 'Vengeance Falls'. At this point, it's uncertain if that actually is the title of the new album, but Trivium vocalist Matt Heafy was quick to correct Draiman in the tweet below:

         

          Vengeance Falls/Shark Sandwich/the album's actual name has not yet been given a release date, but is scheduled for a 2013 release. The album, Trivium's sixth, will follow 2011's lukewarm reception to In Waves

Sunday, May 26, 2013

Album of the Week - Sleeping in Gethsemane's 'When the Landscape is Quiet Again'

          Some time ago, I had a feature going on the blog called 'playlist of the week', where I would compile songs I'd gotten into during the week into a playlist and make it accessible for readers. Unfortunately, I didn't have very much time to listen to new music, so the feature eventually stagnated to very few artists and I eventually abandoned it all together, having lost interest.
          To this end, I'm looking to bring back a similar feature in the form of 'Album of the Week' - a new album I've discovered this week that I dig particularly. I'll provide a link to stream the album, and say a few words about why it's awesome. I really think this is going to be a fun addition to the blog, and ensure I update regularly.
           With that being said, let's take a look at our first album of the week - from post-metal pioneers
Sleeping in Gethsemane. Hailing from North Dakota (along with precisely zero other musical acts of note), the band has been consistently putting out material since 2005 with little to no recognition. Last week, they released their swan song record When the Landscape is Quiet Again, after months of attempting to sell equipment to break even for the album's production.
            And let me tell you, it certainly has paid off. The band has shown substantial talent in mixing ambiance with technicality, as the album kicks off with the airy, almost insubstantial harmonics of 'The Brave', biding its time as the bass and drumwork slowly build tension. 'The Brave' is unafraid to abruptly grab you by the ears and drag you along for an audible ride.
        As the album plays out, the band's technical prowess and sheer control over their instruments is what beings to stand out. The instruments layer onto each other, and SIG is unafraid to turn up the bass, giving bassist Brandon Schiwal almost an important role as guitarist Brandon LaPlante.
        There are no underrepresented band members - every instrument is meticulously textured and molded into one soundscape of epic proportions - one could argue that even the silences are heavy. Yet there's almost a sense of sorrow as the record goes on - as though it's aware that this is the last SIG album.
         Even so, there's no room for frilly production - the band has three members and pushes each one to their limit. The band reminds me of North Irish post-rockers And So I Watch You From Afar, but retains more of a down-trodden, bass heavy beat.
         Clocking in at a little over thirty minutes, When the Landscape is Quiet Again is an epic, sweeping, and altogether too short album that manages to pack so much emotion into six or seven songs. The band has split, and will not be releasing any new material, but that doesn't mean you shouldn't support them.
          You can stream the album here, and also buy it (for $7 or more) at the site's bandcamp.

Saturday, May 25, 2013

What's on the table for this summer:

Back in January, I compiled a list of albums that were coming out this year. In the spirit of updates, here's a fixed list:


  • August Burns Red - Rescue and Restore (6/26) (Metalcore)
  • The Devil Wears Prada - TBA (Fall/winter) (Metalcore)
  • The Black Dahlia Murder - Everblack  (6/11) (Death Metal)
  •  Protest the Hero - TBA (Progressive Metal)
  •  A Day to Remember - Common Courtesy (TBA 2013) (Pop Punk)
  •  We Came as Romans - Tracing Back Roots (7/23) (Post-hardcore)
  • Asking Alexandria - From Death to Destiny (8/6) (Metalcore)
  • letlive. - The Blackest Beautiful (7/8) (Post-hardcore)
  • Scale the Summit - The Migration (6/11) (Post-metal)
  • Set and Setting - Equanimity (6/4) (Post-metal)
  • Mouth of the Architect - Dawning (6/25) (Post-metal)
  • Sleeping in Gethsemane - When the Landscape is Quiet Again (5/21) (Progressive)
  • Orchid - The Mouths of Madness (5/24) (Doom Metal) 
  • TesseracT - Altered State (5/27) (Progressive Metal) 
  • ASG - Blood Drive (5/28) (Stoner Metal) 
  • Black Sabbath - Thirteen (6/10) (Doom Metal/Blues Metal) 
  • Hands Like Houses - Unimagine (7/23) (Post-hardcore) 
  • Iwrestledabearonce - Late For Nothing (August) (Progressive Metalcore/Noise)